Deprecated (16384): The ArrayAccess methods will be removed in 4.0.0.Use getParam(), getData() and getQuery() instead. - /home/brlfuser/public_html/src/Controller/ArtileDetailController.php, line: 73
 You can disable deprecation warnings by setting `Error.errorLevel` to `E_ALL & ~E_USER_DEPRECATED` in your config/app.php. [CORE/src/Core/functions.php, line 311]
Code Context


        trigger_error($message, E_USER_DEPRECATED);

    }
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 You can disable deprecation warnings by setting `Error.errorLevel` to `E_ALL & ~E_USER_DEPRECATED` in your config/app.php.'
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deprecationWarning - CORE/src/Core/functions.php, line 311
Cake\Http\ServerRequest::offsetGet() - CORE/src/Http/ServerRequest.php, line 2421
App\Controller\ArtileDetailController::printArticle() - APP/Controller/ArtileDetailController.php, line 73
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 610
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
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Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
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Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 96
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Http\Runner::run() - CORE/src/Http/Runner.php, line 51
Cake\Http\Server::run() - CORE/src/Http/Server.php, line 98

Deprecated (16384): The ArrayAccess methods will be removed in 4.0.0.Use getParam(), getData() and getQuery() instead. - /home/brlfuser/public_html/src/Controller/ArtileDetailController.php, line: 74
 You can disable deprecation warnings by setting `Error.errorLevel` to `E_ALL & ~E_USER_DEPRECATED` in your config/app.php. [CORE/src/Core/functions.php, line 311]
Code Context


        trigger_error($message, E_USER_DEPRECATED);

    }
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 You can disable deprecation warnings by setting `Error.errorLevel` to `E_ALL & ~E_USER_DEPRECATED` in your config/app.php.'
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deprecationWarning - CORE/src/Core/functions.php, line 311
Cake\Http\ServerRequest::offsetGet() - CORE/src/Http/ServerRequest.php, line 2421
App\Controller\ArtileDetailController::printArticle() - APP/Controller/ArtileDetailController.php, line 74
Cake\Controller\Controller::invokeAction() - CORE/src/Controller/Controller.php, line 610
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 120
Cake\Http\ActionDispatcher::dispatch() - CORE/src/Http/ActionDispatcher.php, line 94
Cake\Http\BaseApplication::__invoke() - CORE/src/Http/BaseApplication.php, line 235
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\RoutingMiddleware::__invoke() - CORE/src/Routing/Middleware/RoutingMiddleware.php, line 162
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Routing\Middleware\AssetMiddleware::__invoke() - CORE/src/Routing/Middleware/AssetMiddleware.php, line 88
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Error\Middleware\ErrorHandlerMiddleware::__invoke() - CORE/src/Error/Middleware/ErrorHandlerMiddleware.php, line 96
Cake\Http\Runner::__invoke() - CORE/src/Http/Runner.php, line 65
Cake\Http\Runner::run() - CORE/src/Http/Runner.php, line 51
Cake\Http\Server::run() - CORE/src/Http/Server.php, line 98

Warning (512): Unable to emit headers. Headers sent in file=/home/brlfuser/public_html/vendor/cakephp/cakephp/src/Error/Debugger.php line=853 [CORE/src/Http/ResponseEmitter.php, line 48]
Code Context
            if (Configure::read('debug')) {

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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;In March 2004, a group of Dalit women from Uttar Pradesh&amp;rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.&lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;The paper&amp;rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.&lt;br /&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.&lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;But Naqvi also maintains scholarly distance. One of the book&amp;rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&amp;rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&amp;rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. &lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;Naqvi&amp;rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. &lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. &lt;/font&gt;
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                <strong>Living the report by Rati Jairath</strong></h1>
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                <p align="justify"><font >In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.</font></p><p align="justify"><font >The paper&rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.<br />&nbsp; <br />Written in the vibrant Bundeli, the Dalit women live the issues they write about. Besides local, national and international news, it is known for its sensitive handling of gender and caste issues. </font></p><p align="justify"><font >In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.</font></p><p align="justify"><font >But Naqvi also maintains scholarly distance. One of the book&rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. </font></p><p align="justify"><font >Naqvi&rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. </font></p><p align="justify"><font >The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. </font></p><p align="justify"><font ><em>Rati Jairath is a community media practitioner in Gujarat <br /></em>&nbsp;<br /></font></p>               </font>
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In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their..."/>
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                <p align="justify"><font >In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.</font></p><p align="justify"><font >The paper&rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.<br />&nbsp; <br />Written in the vibrant Bundeli, the Dalit women live the issues they write about. Besides local, national and international news, it is known for its sensitive handling of gender and caste issues. </font></p><p align="justify"><font >In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.</font></p><p align="justify"><font >But Naqvi also maintains scholarly distance. One of the book&rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. </font></p><p align="justify"><font >Naqvi&rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. </font></p><p align="justify"><font >The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. </font></p><p align="justify"><font ><em>Rati Jairath is a community media practitioner in Gujarat <br /></em>&nbsp;<br /></font></p>               </font>
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;In March 2004, a group of Dalit women from Uttar Pradesh&amp;rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.&lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;The paper&amp;rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.&lt;br /&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.&lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;But Naqvi also maintains scholarly distance. One of the book&amp;rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&amp;rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&amp;rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. &lt;/font&gt;
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&lt;font face=&quot;arial,helvetica,sans-serif&quot; size=&quot;3&quot;&gt;Naqvi&amp;rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. &lt;/font&gt;
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In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their..."/>
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                <strong>Living the report by Rati Jairath</strong></h1>
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                <p align="justify"><font >In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.</font></p><p align="justify"><font >The paper&rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.<br />&nbsp; <br />Written in the vibrant Bundeli, the Dalit women live the issues they write about. Besides local, national and international news, it is known for its sensitive handling of gender and caste issues. </font></p><p align="justify"><font >In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.</font></p><p align="justify"><font >But Naqvi also maintains scholarly distance. One of the book&rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. </font></p><p align="justify"><font >Naqvi&rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. </font></p><p align="justify"><font >The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. </font></p><p align="justify"><font ><em>Rati Jairath is a community media practitioner in Gujarat <br /></em>&nbsp;<br /></font></p>               </font>
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<font face="arial,helvetica,sans-serif" size="3">In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.</font>
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<font face="arial,helvetica,sans-serif" size="3">The paper&rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.<br />
&nbsp; <br />
Written in the vibrant Bundeli, the Dalit women live the issues they write about. Besides local, national and international news, it is known for its sensitive handling of gender and caste issues. </font>
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<font face="arial,helvetica,sans-serif" size="3">In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.</font>
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<font face="arial,helvetica,sans-serif" size="3">But Naqvi also maintains scholarly distance. One of the book&rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. </font>
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<font face="arial,helvetica,sans-serif" size="3">Naqvi&rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. </font>
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<font face="arial,helvetica,sans-serif" size="3">The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. </font>
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<font face="arial,helvetica,sans-serif" size="3"><em>Rati Jairath is a community media practitioner in Gujarat <br />
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In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their...',
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<font face="arial,helvetica,sans-serif" size="3">In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts.</font>
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<font face="arial,helvetica,sans-serif" size="3">The paper&rsquo;s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.<br />
&nbsp; <br />
Written in the vibrant Bundeli, the Dalit women live the issues they write about. Besides local, national and international news, it is known for its sensitive handling of gender and caste issues. </font>
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<p align="justify">
<font face="arial,helvetica,sans-serif" size="3">In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages.</font>
</p>
<p align="justify">
<font face="arial,helvetica,sans-serif" size="3">But Naqvi also maintains scholarly distance. One of the book&rsquo;s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper&rsquo;s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader&rsquo;s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. </font>
</p>
<p align="justify">
<font face="arial,helvetica,sans-serif" size="3">Naqvi&rsquo;s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. </font>
</p>
<p align="justify">
<font face="arial,helvetica,sans-serif" size="3">The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. </font>
</p>
<p align="justify">
<font face="arial,helvetica,sans-serif" size="3"><em>Rati Jairath is a community media practitioner in Gujarat <br />
</em>&nbsp;<br />
</font>
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In March 2004, a group of Dalit women from Uttar Pradesh&rsquo;s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their...'
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Living the report by Rati Jairath

In March 2004, a group of Dalit women from Uttar Pradesh’s Bundelkhand region stood on a stage in a plush Delhi auditorium. Th-ey were honoured with the Chameli Devi Award for outstanding media work. The same year, three of their colleagues received fellowships from the Dalit Foundation in Delhi for reporting on issues related to the rights of the Dalit community. The women in question run Khabar Lahariya: an eight page bi-weekly with a print run of 3,000 in Chitrakoot and Banda districts. The paper’s readership includes farmers, panchayat members, schoolteachers, shopkeepers, anganwadi wo-rkers, labourers, government employees, journalists and housewives.   Written in the vibrant Bundeli, the Dalit women live the issues they write about. Besides local, national and international news, it is known for its sensitive handling of gender and caste issues. In some ways Farah Naqvi is an insider to Khabar Lahariya, which means making waves in Bundeli. She works with Nirantar, a non-profit in Delhi that supports the paper with financial and editorial assistance. Naqvi travels with the women as they get stories from villages, put up with stony resistance and get past caste barriers to get the facts. Naqvi is also a witness as they edit stories, staying up through power failures and technical breakdowns to lay out and print the paper. And she shares their exhilaration at the end of a rigorous day (often candle-lit), when they churn out the eight pages. But Naqvi also maintains scholarly distance. One of the book’s highlights is the account on the debate on the proper dialect for the paper. Bundeli was not always the language of choice. Some of the paper’s founders wanted the paper written in Sankritized Hindi. They felt Hindi would help strike a chord with the upper caste. They argued Hindi would allow Khabar Lahariya access to mainstream power structures. Written Bundeli was also hard to find. Bundeli as the reader’s mothers tongue was naturally easy to understand but not so in the written form. But to their credit, the founders of Khabar Lahariya did not discard the local dialect. Instead, in what could be a lesson for our administrators, they undertook extensive field surveys to make written Bundeli amenable to the readers. Naqvi’s documentation of this process is a delight for anyone interested in understanding how a local dialect makes its way to print. Also enthralling is the section on how the paper came to be priced. Its founders were keen on distributing it free. But to their horror, they found the vendors would use the paper as wrappers. The book is a rare account of a rare endeavour. A must read for sociologists, community media people and journalists. Rati Jairath is a community media practitioner in Gujarat