Survey shows Congo, Pakistan and Somalia also fail females, with rape, poverty and infanticide rife Targeted violence against female public officials, dismal healthcare and desperate poverty make Afghanistan the world's most dangerous country in which to be born a woman, according to a global survey released on Wednesday. The Democratic Republic of the Congo (DRC), Pakistan, India and Somalia feature in descending order after Afghanistan in the list of the five worst...
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Trafficking, female foeticide make India 4th most dangerous country for women
-The Hindustan Times Female foeticide, infanticide and human trafficking make India the world's 4th most dangerous country for women, with Afghanistan's violence and poverty taking it to the top spot, followed by Congo due to horrific levels of rape, a Thomson Reuters Foundation expert poll said on Wednesday. Pakistan and Somalia ranked third and fifth, respectively, in the global survey of perceptions of threats ranging from domestic abuse and economic discrimination...
More »South Asia's growing modernity masks women's plight by Nita Bhalla
South Asia may boast a number of women leaders and be home to cultures that revere motherhood and worship female deities, but many women live with the threat of appalling violence and without many basic rights. From forced marriages in Afghanistan and "honor killings" in Pakistan to foeticide in India and trafficking in Nepal, South Asian women face a barrage of dangers, experts say, but add growing awareness, better laws and...
More »Breaking a cultural taboo by Maitreyee Handique
Women speak out fears of resisting deep-seated taboos associated with menstruation, viewed even today as polluting in much of India The status of women in India, despite all the brave talk, remains as precarious as ever. This is, after all, a culture which not just condones, but actively encourages the termination of foetuses determined to be female. Other crimes of violence against women are routine. Can things ever change? We took...
More »It’s bloomtime now by Shashi Tharoor & Keerthik Sasidharan
In the 1920s, a young Tamil girl sang and starred in her school musical. It was, ostensibly, a private event with few outsiders. Yet so exceptional was her singing that Swadesamitran ran her photograph and wrote about the event. Seeing that photo in the newspaper, her household “was appalled” for, as the music historian V Sriram writes, “good, chaste women never had their photographs published in papers”. Today, this seems like...
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