-The Hindustan Times Female foeticide, infanticide and human Trafficking make India the world's 4th most dangerous country for women, with Afghanistan's violence and poverty taking it to the top spot, followed by Congo due to horrific levels of rape, a Thomson Reuters Foundation expert poll said on Wednesday. Pakistan and Somalia ranked third and fifth, respectively, in the global survey of perceptions of threats ranging from domestic abuse and economic discrimination...
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Afghanistan worst place in the world for women, but India in top five by Owen Bowcott
Survey shows Congo, Pakistan and Somalia also fail females, with rape, poverty and infanticide rife Targeted violence against female public officials, dismal healthcare and desperate poverty make Afghanistan the world's most dangerous country in which to be born a woman, according to a global survey released on Wednesday. The Democratic Republic of the Congo (DRC), Pakistan, India and Somalia feature in descending order after Afghanistan in the list of the five worst...
More »South Asia's growing modernity masks women's plight by Nita Bhalla
South Asia may boast a number of women leaders and be home to cultures that revere motherhood and worship female deities, but many women live with the threat of appalling violence and without many basic rights. From forced marriages in Afghanistan and "honor killings" in Pakistan to foeticide in India and Trafficking in Nepal, South Asian women face a barrage of dangers, experts say, but add growing awareness, better laws and...
More »Behind the global scourge of child labour by Kailash Satyarthi
Its elimination is an international obligation, but there is a long way to go to meet the goal While governments and civil society commemorate the World Day Against Child Labour on June 12, over 20 crore children are still engaged as child labourers. More than half of them face the worst forms of child labour. Though India has the dubious distinction of having the largest number of child labourers, this...
More »It’s bloomtime now by Shashi Tharoor & Keerthik Sasidharan
In the 1920s, a young Tamil girl sang and starred in her school musical. It was, ostensibly, a private event with few outsiders. Yet so exceptional was her singing that Swadesamitran ran her photograph and wrote about the event. Seeing that photo in the newspaper, her household “was appalled” for, as the music historian V Sriram writes, “good, chaste women never had their photographs published in papers”. Today, this seems like...
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